Goblins

Product Information

They were, it would seem, as old as time, and as terrifying to gaze upon as the mysteries with which they wrestled.

HOW TO BE A VIKING (Templar UK 2008) -- The account of Ari the Learned, a 12th century Icelandic scholar, written for young and aspiring Vikings to help them navigate the perils and adventures of the Norse world. A fascinating compendium investigating the undersea world of the merfolk exploring: oceanic magic, merfolk language and customs, underwater villages, historical evidence of merfolk and their unfortunate capture, maps of the oceanic zones and their various inhabitants, perilous creatures of the sea and how to avoid them, and remarkable revelations about merfolk/human relations.Its a good laugh for people who are even remotely interested in any of the 'fairy-kin' or for people who just like unusual books. He and Wendy created the story concept for a graphic novel series based on THE DARK CRYSTAL to be published by Archaia Comics in 2011. With over 8 million books sold to date, Brian's international best sellers include LADY COTTINGTON'S PRESSED FAIRY BOOK, GOOD FAERIES / BAD FAERIES and THE FAERIES' ORACLE and LADY COTTINGTON'S FAIRY ALBUM. His work has been featured in exhibitions throughout the world and his paintings reside in many private and public collections.

In a letter marked with suspicious red scribbles, they beg the publisher not to print their work, but the publisher decides to go ahead and release the book ""as is""--which means that Froud's drawings and Berk's notes appear mussed up by dirty goblin fingerprints and scrawled with indignant goblin commentary. In 1975, Brian moved from London to a small Devon village at Dartmoor's edge, sharing a house with fellow-illustrator Alan Lee and his family. This evolved into full collaboration between the two artists in Trolls and Faeries' Tales, gorgeous editions designed by Brian, written by Wendy, and featuring art by both.

Inspired by the woods and hedgerows of Devon, and the ancient, myth-steeped landscape of the moor, the two collaborated on Faeries, an illustrated book of British faery lore. Even while Silas eagerly explores his father’s town and its many abandoned streets and overgrown cemeteries, he grows increasingly wary of his uncle. I want a painting to give just enough information for the picture to make sense; there should always be a little bit kept back, a few pieces missing, which the viewer must supply himself. Brian ponders the question, then answers slowly, "The hardest part -- or one of the hardest parts, because there are many hard parts -- is convincing the viewer that what I've depicted is true; that I've got it right. Lessons include translating and reading runes, skaldic speaking, calendar customs, and safely traversing the nine worlds while avoiding trolls, dragons, and giants!

Some of Wendy's art is based on, or in dialogue with, Brian's paintings and sketches, while the rest explores a rich visual vocabulary that is uniquely her own. COYOTE SPEAKS - WONDERS OF THE NATIVE AMERICAN WORLD (Abrams, 2008) - Myths, legends and wonder tales from the ancient Native American world to the present.Brian's faeries and magical vision of the world so impressed the American filmmaker Jim Henson (creator of the Muppets) that he asked Brian to come to New York to design two feature films: The Dark Crystal and Labyrinth. When he left collage, Brian spent five years in London working in the field of commercial illustration, but he continued to paint mythic images and to develop a distinctive style of his own. Berk and Froud's curious experiments and first hand knowledge, this is the single greatest source of information regarding the Goblins' horrible habits, awful art, sticky tricks, bizarre customs, and crude culture (illustrated by Brian Froud).

Mind you, it's not that I lie around on a chaise longue waiting for inspiration to strike -- painting is a discipline and I'm in my studio working a regular work day from 9 to 5. For over 35 years, Brian Froud has been regarded as the pre-eminent faerie artist in the world and an authority on faeries and faerie lore.By using the Web site, you confirm that you have read, understood, and agreed to be bound by the Terms and Conditions. It was on the set of The Dark Crystal, however, with its imagery rooted in folklore and myth, that she found her greatest satisfaction, working with the shy-but-brilliant English faery artist at the heart of the film. Yound Edward takes his friend, Myrtle, a bespectacled rationalist, into the wood to show her Godlins, popping up all around, but invisible to her.