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Stars | SNOWFLAKE BY LOUISE NEALON is the coming-of-age story you (probably) didn’t know you needed (or maybe you already knew). If you’ve been following my stories, you’d know how much i’d been taken by it - and it’s all for good reasons! Louise Harland narrated the book and there could not have been a better person. She epitomises Debbie and really brings her character and little quirks to life. If Audrey had kept quiet and continued to drink at home, people would still have sent their kids to piano lessons. Audrey’s problem was admitting that she had a problem, and the problem was with alcohol, the one thing everyone loved.” This story can be enjoyed as a fun story about the little snowflake, as an explanation for where snow comes from, and/or as a larger education about the water cycle. I think this is the best book I have seen to teach the water cycle to young children so far! The happy little snowflake and friends bring these lessons in a very approachable way with so much fun. In an interview with the Irish Times, author Louise Nealon provided the roots of the novel as being personal. When she was 18, she awoke in the middle of the night convinced she was dreaming someone else’s dream. This was immediately dismissed as delusions. In Ireland, psychiatry is not thought of as being necessary, although it’s improving. Nealon wanted to write a story about the silence of mental illness in Ireland because for her, psychiatry didn’t help her, but reading literature did.
As the author went through depression herself, we could feel Debbie's struggles bleeding through the book. The story balances the dark themes and humour well. The discussion of mental health isn't too bleak, yet holding its weight. Do take note there are a few detailed scenes on animal cruelty.However, Debbie is starting college soon. She has to step out of her dwelling place, commutes to classes and meets new people. In the first week, she was overwhelmed and disappointed by her fellow students and the anonymity of city life. I am a culchie. I grew up on a farm in County Galway, though I live in Dublin city these days. My country roots are something I might have run from in my youth, but lately I have grown to appreciate them. I have often felt that our tribe is underrepresented in modern Irish literature but finally, here it is. Snowflake is the Great Culchie Novel. When I saw references in the story to Wavin pipes, standing in gaps to move cattle and traditions like Cemetery Sunday, I knew I was in the hands of a true bogger.
This book is raw, dark and heartwarming all at the same time, and I absolutely loved it. I think Louise Nealon captured a girl on the cusp of the rest of her life so well, this absolute fine line between childhood and adulthood. A girl who absolutely does not know herself at all, does not know how to look after herself, and just needs to be kinder and more understanding to herself in all ways. This is very much a coming of age type novel, interspersed with some magical realism in a way thanks to Debbie and her mother's penchant for prophesising dreams, and Uncle Billy's reputation as a wise man. But is it really magical realism, or just a family with a bloodline that mean they are more sensitive to those around them, and the knowledge of the other plane of the world others have forgotten.But Debbie’s life is changing. Earning a place at Trinity College Dublin, she commutes to her classes a few days a week. Outside the sheltered bubble of her childhood for the first time, Debbie finds herself both overwhelmed and disappointed by her fellow students and the pace and anonymity of city life. While the familiarity of the farm offers comfort, Debbie still finds herself pulling away from it. Yet just as she begins to ponder the possibilities the future holds, a resurgence of strange dreams raises her fears that she may share Maeve’s fate. Then a tragic accident upends the family’s equilibrium, and Debbie discovers her next steps may no longer be hers to choose. My bias against the first-person POV is mainly aesthetic. However, there are some practical reasons for my ire. The main one is that this choice of POV makes it even more difficult than it is already to keep from conflating ‘author’ and ‘protagonist’. Like, conceptually I know that MC Debbie and author Louise Nealon are two distinct entities and may indeed be radically different in every way. However, a bildungsroman-ish novel with clear autobiographical elements (Debbie’s arc is all about a country girl leaving home to study at Trinity; Nealon’s bio states that she’s from a farm in Kildare and studied English in Trinners) and a first-person POV? Let’s just say I’m not giving ‘Debbie’ much benefit of the doubt when she speaks like a tit in her early twenties.
Nealon’s writing is sparse and when that’s coupled with a melancholic tone and the Irish setting, the inevitable comparison to Sally Rooney will be made. While i feel like it’s in a league of its own and not all upcoming female Irish writers should be dubbed ‘the next Rooney’, i can see the overlap between the two authors. I inspect what I just squirted out of myself before I flush it away. Foam fizzed on top of the watery gold like froth on a pint.” SO GROSS. There’s also two – TWO! – scenes describing Debbie raw-shaving her pubes. Why did I need to read this once, let alone twice?! She has the internet, she has a MACBOOK (despite her supposed poverty). GOOGLE. IT.
Aside from the two main reasons I bought this book – supporting Irish authors and keeping up with the zeitgeist – I genuinely thought this might actually hit my buttons. I too was once a sheltered country girl going to the big city for college and feeling horribly lost from day one. However, right from the start I lost sympathy with Debbie.
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